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Library - The Early Years
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We are fortunate to have many early recordings, originally done on foil and wax cylinders, later on
glass and zinc discs and finally on plastic 78 rpm discs. The following recordings were made between
1899 and 1950. They provide us with many insights into piping at the begining of the last century.
The complete collection of these recordings is available on CD and may be viewed and purchased by going
here.
If you purchase the complete collection, or if you're patient enough (I'll be changing
tracks here from time-to-time) you'll notice unusual spelling and names for some of the tunes we play
today. You'll also notice different settings and treatments of tunes. This speaks to a time before
standard settings were widely embraced. Aside from the obvious tonal differences in the bagpipes themselves,
you'll be amazed at the tempo's. This is an amazing step back in time. Enjoy.
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Willie Ross - 1879 - 1966 - Born in Glen Strathfarrar, Inverness-shire. He was taught by his parents
and an uncle. He joined the Scots Guards in 1896 and served in the South African War and in WWI. His
achievements include the Gold Medal in 1904, eight Clasps, and the Gold Medal at Oban in 1907. He published
five books of light music between 1923 and 1950.
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This may well be the earliest recording of Willie Ross. Balmoral Castle and Pretty Marion are pretty
heavy tunes by anyone's measurement. Willie handles them effortlessly at breakneck tempos.
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We'll fast forward here to 1930 with Willie playing The Glasgow Exhibition March. The tempo's are
more "normal" and one can only marvel at Willie's top hand. Wonderful stuff.
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James Blair Robertson 1905 - 1988 Robertson was not only a maker of bagpipes but he was also PM of
2nd Battalion Scots Guards. He also won many medals for his solo piping including the Gold Medal at
Oban in 1932, The Gold Medal, Inverness in 1933, and the Clasp in 1938. Here we listen to PM Robertson
in 1927 put unusual and delightful touches to Scotland the Brave.
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New this month - September 2005!
The first new track this month is an MSR selection beginning
with the 79ths farewell to Gilbraltar. The title information simply states Pipe Major Forsyth & Drums.
Interesting to note that the bagpipe is drone dominant and that the sound changes mid-way into the strathspey.
Someone may have reached up and tweaked a drone however I suspect that they simply changed during the
course of playing, as cane reeds are prone to do. "drums" seems to be a solitary tenor drummer wailing
away. One might imagine the gentle Pipe Major putting aside his pipes immediately thereafter and pounding
the drummer unconcious. Fore in those days the PM's word was law and justice was swift and sure. I
thought perhaps that the drummer was just an add-in at the last minute however he obviously knows the
scores based on beatings and breaks. Pity. Anyway, here it is (click here). Henry Forsyth served
as Pipe Major in the Scots Guards 2nd Battalion from March 1900 to April 1906.
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The second selection is billed as "Pipe Major Laing of HM Scots Guards (played on Brian Boru Patent
Irish Bagpipe) playing Mary Morrison. This is quite an interesting recording done in 1911. We take
"Pipe Major Laing" to mean David Laing who served as PM of the 2nd Battalion from 1891 to 1899 and as
PM of the 1st Battalion from 1899 to 1906. I believe that the bagpipe being played is Henry Starck's
instrument bearing tenor, baritone, and bass drones secured in either a common stock or in three individual
stocks. The chanter sounds to be keyed, as was the chanter supplied by Starch with that instrument.
Anyway, it is well worth the listen. (Click here!)
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Finally, we have track 13 from "Pipe Major MacIntosh" playing "Pibroch o' Donald Dhu and My lodgings
in the cold ground" better known as "My lodgings on the cold ground". I also think that PM MacIntosh
is PM Andrew McKintosh who served as PM of the 2nd Battalion Scots Guards from November 1917 to August
1932. This particular recording was made in 1930 and gives us an excellent idea of a well-tuned bagpipe
of that era. Without further commentary, here it is (click here).
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