

Even from very limited documentation we know that bagpipes were being made commercially prior to 1750.
Entries relating to Hugh Robertson, turner, date back to 1767. He is listed in the Edinburgh Trade
Directory in 1775 as a "pipe maker" Castle Hill, Edinburgh.
These pictures were sent to me by
an archiologist and piper as "possibly" Hugh Robertson bagpipes. His research all but confirms that
they were indeed made by Hugh Robertson.
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GHB ca. 1790-1800, possibly Hugh Robertson or related, probably anterior to the 1802 prize pipe. Differences
with this authentic H.R. set include the moulding of the button mounts, of an older style yet unrelated
to the later projecting mounts, the ten-teeth combing (against 6-7 for the 1802 HR’s) and the straight
tuning chambers (slightly tapered on HR and other pipes of a similar date).
Two parallel holes
in the lower bass drone section, drilled carefully and symmetrically on either side into the hardwood/sapwood
limit, are very old and could be original. They could have held a shield of some kind, as in the case
of the prize pipes.
Wood: “cocuswood” of some kind, probably African and not Caribbean, very
yellow sapwood and blackish brown heartwood.
Mounts on drones: bone button mounts and ferrules
throughout – two original ferrules left, the others are ancient ivory replacements. All button mounts
original, lower mount of outer tenor cracked and girdled with copper wire, greenish oxidation. Bells
fitted with ivory rings and bushings (bass bushing replaced)
Mount on original blowpipe: translucent
horn, probably authentic, matching exactly the style and shape of the bone mounts on drones.
Stocks:
exactly the same wood, but either crudely re-combed or antique replacements. Horn ferrules, except chanter
stock fitted with a very old oversized ivory ferrule. Two horn ferrules (tenor and blowpipe stocks) match
exactly the style of the drone ferrules: double thread and slight recess/step at the joint with the wood.
Combing: all the original parts have 10 teeth and rather tiny beads. Hand carved but very regular.
Combing on stocks irregular and crude, obviously re-turned in places (outer tenor stock: 9-10; inner:
8; bass: 8; blowpipe: 9; chanter: 7-9)
Quality: the wood and the fittings are very well turned,
with a certain sense of detail.
Measurements (metric in mm):
Tenor tops:
Bell,
exterior diameter: 45.2/45.0 bushing: 14.9/14.9 diameter at tuning ch.: 30.3/29.6 bore
of t.ch. 17.7/17.7 depth: 91/87 overall length: 202/202
Tenor bottoms:
length
stock to top: 199/200 lenth tuning pin: 78.5/80 diameter t.p.: 17.0/17.1 bore at t.p.:
8.5/8.8 bore at reed seat: 8.9/8.9 stock tenon, diameter: 20.5/20.6 stock tenon, length:
30.0/29
Bass top:
Bell, exterior diameter: 51.2 bushing: not original diameter
at t.ch.: 3.12 bore of t.ch.: 18.4 depth: 95 overall length: 280
Bass middle section:
tuning pin, exterior diameter: 17.8 t.p., interior diam. (bore): 9.7 t.p., length: 87 ext.
diam. at t.ch.: 31.5 int. diam. at t.ch.: 18.8 depth: 97 overall length: 281
Bass
bottom:
Length stock to top of t.p.: 254 t.p., interior diam. (bore): 8.7 t.p., exterior
diam.: 18.2 t.p., length: 88 stock tenon, ext. diam.: 20.6 stock tenon, bore (enlarged?):
10.4 stock tenon, length: 31
Blowpipe:
Length tenons not included: 132 (shortened at
top end ?) stock tenon, ext. diam.: 26 stock tenon, bore: 84
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